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A lot of money that would have been appearing on the positive side of hi-tech musical instrument manufacturers and retailers' balance sheets a few years ago seems latterly to have been spent instead on laptops, cheap keyboard controllers and broadband connections to Kazaa.
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And, more prosaically, manufacturers and retailers, the underlying structure of the musical instrument industry, have found that software doesn't offer anything like the margin that hardware does, and is harder to sell and support - if you can sell it at all, that is. Some people actually prefer the sound of analogue instruments (and not just ones with lots of knobs on - acoustic guitars and yes, even that human voice thingy can sound pretty good sometimes, too). Not everyone likes mixing 40 tracks of music with a mouse.

Of course, this carelessly selective overview only conveys one side of the story. Much of the hi-tech musical instrument industry, already close to computer manufacturers, got even cosier (like Apple and Emagic's amazing trick - where did the music software company go?). Musicians everywhere consigned their old-hat 'real' gear to the skip of history, sales of hardware slumped, and a number of companies dependent on the old ways of working wobbled (Akai) or fell over completely (Waldorf).

Whole companies, such as IK Multimedia and Native Instruments, sprang up to create software which took advantage of the new way of working.
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Many hi-tech musicians then began to ask themselves whether they needed to bother with this expensive hardware stuff at all, apart from a few bits and pieces like A-D converters and microphones for those troublesome analogue sound sources such as the human voice, which hadn't yet worked out how to evolve compatibility with the VST instrument specification. At around the turn of the Millennium, computers reached speeds where they could support software-based sound generation (virtual instruments) instead of merely managing sounds generated by external hardware. The wisdom was that all technology-orientated music-making could be, and indeed, was best done inside a computer, from sound generation to mixing and mastering. If there could be said to be a trend in the industry at present, it's that there's currently something of a reaction to an idea that, broadly speaking, dominated from around 1999 to 2003. Software Or Hardware?Īll pure coincidence, of course - or is it? In fact, this is a way of working that several manufacturers of hi-tech musical gear are exploring at the moment. No sooner had we read that than we received a phone call from Access enquiring whether we'd like to take a look at some of their new hardware which, well, integrates better with software.

Paul White's Leader column last month called on hi-tech musical instrument manufacturers to work on hardware that integrates better with software. It's back! And it's deadlier than ever! SOS get a first look at the next-generation Virus. There's also a 61-note keyboard version featuring the same control panel. *Other genres that this package may be useful in: Virus Ti Synthįrom Lead lines to Chord progressions, stabs, Pads, arpeggios, the deeper side of techno is in order with these samples. VIRUS TI Loops – 80 synth loops to create the backbone of your next track idea.
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Free Drum Pack for Ableton Live Mix Challenge Competitions in May 2020 Datacode releases FOCUS.įeaturing 378.7 MB from the VIRUS TI synth Line have been meticulously recorded through a lot of vintage outboard gear including the Neve 1073. Plugsound Free by UVI is a Virtual Instrument Audio Plugin. Synth Plugsound Free Sound Module Plugsound Pro Contemporary Instruments Library Plugsound Vol.
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Cognition Strings presents VIRUS TI TECHNO, a collection of loops, hits and full of the most original sections of techno, Tech-House and Minimal.Īccess Virus A Synthesizer VST Emulationdesktop synth-module.
